Monday, April 6, 2009

Divergence: Macao's Proposed Artworks for the 53rd Venice Biennale (MAM)







Theme: DIVERGENCE





Title: On-Line

Online is a term which has become of common use nowadays. The emergence of the internet, and the more and more sophisticated phone lines brought us closer to each other. Air connections, low-costs, transnational companies and globalization in general also contributed. All these are virtual, material or imaginary lines that fade borders and link us to all kind of information, in all directions, ways and in constant exchanges. They make us become citizens of the world. There is a growing variety of media, ways of expressing ourselves and also ways of circulating beyond frontiers. Distance has softened. Families scatter in search for each element’s personal dreams. The new relationships are no longer restricted to our circle of friends, either from school or from the neighborhood we grew up in. Today we face and infinite range of possibilities. On-line represents such wide range, infinite and variable as it is, it becomes more organic, with a new shape, expressed in lines and information.



Being in one of those lines is being in all of them, connected to the world, the immense global network. Being online is belonging to the big virtual network which dresses our planet with contradictions, ideals, feelings, relations, choices, diversity, suffering, creativity, ideas, paths, life. But this knitwear is extremely complex and even in a world that still shelters so many inequalities and exclusion, everyone has their own lines, their own branches of lines, their own path of life.



Divergence isn’t only about the more or less selfish dreams of persons and families, the ambitions or disappointments when facing the same problems, but is worsened by the myth of harmonizing thought and life, while the existing net uniting men and nations is more interrupted than continuous.

And so it becomes necessary to provide a new perspective on divergence, and even to oppose to long standing ideas. The theory that today there is a smaller divergence between different people than before, only hides that this divergence presents different shapes, and is based on messages in which the media try to proclaim the idea that one which is not an equal is, therefore, opposed.

The flow network which covers our globe is ours. We are, all of us, its reproducers. We are, all, its multipliers. We are all, without exception, responsible for the dynamics of our Earth. But it is each of us that, individually, weave our own lines, or choose to take part in some and directly face their crossroads. It is each of us that, individually, feel the effects of this global knitwear in our body and understand them in our own way. That is why, for this project, I propose a look at this world dressed with my knitwear. I will weave the connection between men in their divergences, in their mutual respect and not in the grayness of a supposed equality. According to my own perspective, my life experience as a citizen of this world.

The world, of course, will not be wearing any shirt, trousers or shoes, it has its own shapes and it will have its own clothes. And this world, the one I lived, also has its unique shapes. In it, Europe and Asia, more specifically Macao and Portugal, are the spine, which will be well protected, well dressed. Even tough, they will not be isolated in their realities, as islanding them is no longer possible. They are two world territories, extremely dynamic, economically and even in a fantasy way inserted in the world, in my world.





I grew up divided between two continents. They are two contradictory and complementary piers, my inspirations in life and in art…
I grew up in Lisbon, but my school for life was Macao. I have family, friends and roots both in Portugal and in Macao. These are two places both peculiar and very intimate for me. Macao with its exuberance, mixtures and food, a mix of China and Portugal with its cobbled streets, its people, its world.

When you have two nests, in nearly opposite sides of the globe, you go through lots of things. Working with art, in touch with what happens, enabled by the artistic dynamism of both places, I was given the chance to meet other continents, to dream of meeting new places, creating various real, virtual, social and sensible relations throughout the world. It is this relation, of artistic restlessness towards the world of access, of proximity and distance to everything that connects me, that raises my awareness to cherish it through the knitwear of my life in flow lines of wool. On-line.








Wednesday, April 30, 2008

MAJOR ARCANA - AWP / ART LABOR







In Tarot each card is linked to the same meaning and any modification of this meaning needs other cards being played. In what concerns orientation the key is given by the astral section which will define the general orientation. From all of this I decided when I start working about Tarot represent note only the card by itself but also the meaning that the different combination of cards can assume in the different astral rooms. This will represent some kind of “given information” that is anything but the visible and invisible all together linked with our personal wishes and wills that can also change the destiny shown by cards. From the relationship between the lived past and the future to discover, a vivid almost human dialogue is established. I decided to work with dolls, dolls with baby faces and bodies in their almost human expressions as a symbol of a never ended and always (re)borne mute speech. Dolls with their pure and innocent faces expressing our most deep unconscious wishes and fears. Throughout the dolls faces I established the relationship between the future life of each one melted with the “obtained information” announced by Tarot cards.



100x100cm


The Tower

Disruption. Conflict. Change. Sudden violent loss. Overthrow of an existing way of life. Major changes. Disruption of well worn routines. Ruin and disturbance. Dramatic upheaval. change of residence or job sometimes both at once. Widespread repercussions of actions. In the end, enlightenment and freedom.






100x100cm

The Sun

Contentment and happiness on attaining success. Good Health. Material happiness. Mental, physical and spiritual vitality. New inventors or inventions. Academic and particularly scientific success. Reward. Acclaim. Approval. Children. Abundance of energy. Achievement. Joy and happiness.






100x100cm

Pope

Even if he is no aware this letter will allow him to have access to a sphere of action still unknown. Domain and skill.






100x100cm

The Fool – Le Mat

Beginnings, most probably of journeys which may be possibly mental, physical or spiritual. The beginning of a new life-cycle. Energy, force, happiness and optimism. The overturning of the status quo or existing states by unexpected happenings. Innocence, naivety, and spontaneity. Important decisions to be made.





100x100cm

Justice

Enforcement, procedure, disagreement and debate, in accordance with the decision of third person. Apart to put an end to any doubts.






100x100cm

Strength or Fortitude

Courage. Self control. The virtue of Fortitude. The power of love. Control of passion against one's baser instincts. Determination. Generosity. Strength and power under control. Energy. Optimism. Generosity, resolve and reconciliation.



When I commit myself to work on the Tarot I start thinking how to give my own idea on the way I feel the possible relationships of men with the future. I choose dolls, young bodies shaped dolls because throughout the dolls faces I could establish the relationship between the future life of each one as predicted by the Tarot cards, melted with our wishes wills and fears. With my dolls faces and bodies I will (re)born the future as the young dolls seemed to be our own (re)born on our day by day life and mind.

Process description: my art works are created by using dolls and special scanning technique to create these expressions of different dolls and toys printed on fabric. Before printing I use Photoshop to manipulate the scans until my desired expression appears. The pictures are then applied to wood frames where I also paint and attach sculptures made in resin and plaster to create a 3D effect in/on the finished art works.
The sculptures coming out from the fabric underline the message in the work and are made by modeling in clay. Thereafter I create the cast in silicon and the finished model is obtained by filling the casts with resin. The sculpture is then finished by hours of hours of polishing.
The result is a 3D effect of a hand on the printed fabric that continues out of the artwork and makes the viewer doubt if this doll in reality is in or outside the universe that I have created for these human like dolls.



http://www.artworldproject.com/index.php?option=com_content&task=view&id=174&Itemid=263

www.artlaborgallery.com

Tuesday, April 15, 2008

Invitation AWP / ART LABOR GALLERY

Sunday, April 13, 2008

AWP - ART WORLD PROJECT / ART LABOR GALLERY

http://www.artworldproject.com/index.php?option=com_content&task=view&id=174&Itemid=263

Monday, December 31, 2007

Melbourne - Great Wall of Books

Dearest friends & supporters of WELL,

Join the Great Wall of Books at Swanston Street Court, Federation Square from Jan 5 to 10, 2008.

Celebrate the start of the New Year with style & free-creativity in & around the giant book!!

Looking forward to seeing you there.

Best of Wishes,

Dario Vacirca,
Artistic Director
WELL


SPA - MGM GRAND MACAU

Tuesday, September 18, 2007

Shanghai Studio

Doors

Monday, September 17, 2007

Moving Sands

Monday, September 3, 2007

The DOOR or The Space and Time Between You and Me

GREAT WALL OF BOOKS / WELLTHEATRE























































































Friday, August 24, 2007

The DOOR or The Space and Time Between You and Me


Doors
Door opened. Door closed. I knock another door that opens itself.
During our life we spend a lot of time opening, closing or going throughout doors.
In ancient Greece the door of the dead conducted by Cerberus was a symbol of darkness and the opposite to the door of the light, the door to happiness.
A new door is opened with every birth.
There're always two doors, the inside door and the outside door, protecting or separating people. The outside door opening to the outside world and the inside door opening to yourself. When the inside door is open you can see through the bars. Protected through the doors of your words, you only let the other see what you think or want to show.
According to Hi-tse, the Earth is the closed door and the Sky the open door. The opening or closing door means the rhythm of the universe.
You can see that the door is not only a hole in the wall or a lot of pieces of wood that can turn on itself. A door is always present or absent, appeal or defence, innocence or sin.
For the Alchemist or the Philosopher the door means the same thing as a key, opening to the creation.



I took the meaning of the door and I worked through it. I have created many doors that sometimes will not exactly go to what you expected.

My doors go to the sky, to the hidden and some-times are so closed that you hardly see what's behind them.

The moving sands of the video: first like steps and then becoming the houses and the noise that is current Macau. I tried to recreate an open door, which is the symbol of communication and the step from us to the other. Doors from the old days and borders that are everywhere surrounds Macau.
Every day hundreds of thousands of people come and go through the open from a closed Macau.
Between the moving sands, the base of the city, the space between two states or two worlds, between the known and the unknown, the door opens to reveal it's real nature.
Let us open the doors.

The DOOR or The Space and Time Between You and Me

Wednesday, August 1, 2007

Noisy Undiscovered Taste













CREATIVE MACAU is showing NOISY UNDISCOVERED TASTE, a collection of works by Rita portugal Lima whitch include paintings with sculpting elements. The artist pushed the bounderies of her imagination whitch is manifest in the works exhibited for the public; her signature is a deliberately uncompromising and provocative imaginery. For the last exhibition she turned the degenerating facades of buildings that are so typical of Macau's older neighbor goods into beautiful canvases depicting images that we see in our everyday life, yet are so easily forgotten.
In NOISY UNDISCOVERED TASTE, the artist focuses again in projecting scenes that are common to us all, such as the food bought at the marketplace used to cook a meal: Fish, Meat, Poultry, fruits and vegetables. Rita Portugal Lima almost sculptures appearance through a mixture of paint and organic materials.

CCI (Center For Creative Industries)



What a Great Lunch!
Mixed Media
116cm x 116cm



Cfc's in Aspic tourined slowly in Chicken's
Pilchards and dipped in Vegetable Ink
Mixed Media 86cm x 70cm



Chook Foot
Mixed Media
24cm x 24cm



Boiled and Roast Mushrooms made of Bones
Mixed Media 75cm x 51cm



Assorted Vegetables - Ingredients:
Fungicide, Worms, Nitrogen,
Iron, Fertilizers, Ammonia, TNT
Mixed Media
50cm x70cm



Chicken Nails rich in Calcium,
Liquid Foetus, Fried Feet
Mixed Media
24cm x 55cm



Raw Seafood Babies in
Cold Shrimp Soup
Mixed Media
45cm x 65cm



Foot Pork Marrow,
Fatty Pork Sausage,
Squid Sausage,
lathered in MSG
Mixed Media
57cm x 47cm



Fish borne trematodes - Calcium, Iron,
Omega3/Cadmium, Lead and Mercury,
with Lemon Sauce
Mixed Media
16cm x 56 cm



Crispy Fried Carbohydrates in a Cereal Pulse,
filled with Seeded Flour and fibrous Bacalau Chips
Mixed Media
108cm x 37cm




Brained Pigeon
Mixed Media
24cm x 24 cm



Fish Wing, Chicken Bone, Juicy Mussel,
Heavy Metal Worm set
Mixed Media
96cm x 22cm



Mixed Platter - Chicken Liver and Kidney,
Feet and Nails of Chicken and Pigeon.
With a healthy dose of Steroids.
Mixed Media
65cm x 61cm

Tuesday, July 31, 2007





Dehydrated Orange with Parasite,
Tomato and Pear Pip,
with Heavy Metals and DDT taste.
Mixed Media
70cm x 70cm

Sunday, July 8, 2007




Fish Balls & Proteins
Mixed Media
90cm x 32cm
2007


KFC [Kidney Flavour Chilli]
Mixed Media
55cm x 55cm
2007

Noisy Undiscovered Taste

Start by jamming a tomato, feel its pulp running to your fingers, hands and arms.

Feel the pulp alive. Let it impose the paths it wants to take. Add a sufficient amount of laughter and don’t stop it from flowing through your arms.

Then pick up a piece of anything and a little bit of yourself and while smashing try to recreate the joy and the pleasure felt with the tomato pulp.

With strong movements, smash the final paste against the screen.

You have already done the sketches where you are going to apply it, take your time to complete them. Then add a third dimension according to your sensibility Finalize it by feeling the tones - day, twilight, night, cold and warm colors. Above all beware of what is going on inside of you.

Ones more take your time and mix up all the ingredients, being cautious not to forget even a single one.

Support them.

I could have been creating my grandmother recipe. But we have been anything but whispering as if we were making secret confessions.

In what I am about to present, I did not forget that the European Union and the United States of America and other so called civilized countries, describe an apple, believe it or not, a tomato, a pear by their external appearance, resembling those found in the school manuals. They do not demand anything but a specific weight, a specific diameter together with any other requirements that can come to your mind, except for the flavor.

In order for this to happen, any chemical product tested or non-tested will be added to fulfill the established regulations.

If you know that there are chickens and other animals with no head so that can produce only meat, why not a line of production of mushrooms made by bones? Spinach in a bed of heavy metals? Cookies of what you cannot think about…. Something wrong?! Nowadays everything is possible.
They called it fast food, which means food produced fast only to make people alive.

Sooner or later, we will be condemned to watch a fruit becoming a mathematical equation and not something else that fulfills our senses, and why not our dreams.

When a living thing becomes mathematical, but when an equation means lands, water and marketing pollution it is for sure something is wrong.

Buy, buy, buy – buy the most red, the most clean, the most beautiful tomato, perhaps you are buying anything but toxic, and at the end of the day something deadly.


Not pretending to be a radical and with no screams, I intend to show you my deep feeling, expressing my way of living the sensuality of a meal, the cultural pleasure that comes from sharing food. Above all, I intend to praise everything natural.

It is up to you to judge.

Tuesday, June 26, 2007

Noisy Undiscovered Taste




Rita Portugal presents her latest exhibition at Creative Macau from 6th July to 27th July. Here is the introduction from Rita.

“In my last production I choose large paintings to show the feelings surrounding me. Now, I choose mixed media ensemble, firmed on the products you can see everyday in the showcases, large, small and always attractive but artificial.

I choose to keep the same technique- mixed media, printed fabrics composed in a computer basis linked with brush strokes and polyester, all together with day by day hidden but present elements.

Now, I will show different “set menu” a caricature of artificial beauty but for the worst or the best our possible living beauty.”

Group Exhibtion - BELONGING

Belonging can be your geographical place or the subjective place which lives in your memory.


"Suspension"
mixed media
155 x 115 cm

Thursday, May 3, 2007

Solo Exhibition - Ritmos Suspensos






Friday, April 20, 2007

Painting means feelings, colours, volumes and silences.
My work is about feelings and silences.
I need rhythms.
They start around myself.
They push me to others even when I feel alone.



"Interrupção temporária"
115 x 155 cm







" Cadência"
135 x 105 cm







"Correlação das partes"
116 x 155 cm






"Harmoniosa correlação"
116 x 155 cm






"Compasso"
120 x 160 cm







"Tempos fortes e fracos"
115 x 155 cm







"Seguimento"
115 x 155 cm









" Elementos fortes e fracos"
135 x 135 cm







"Ritmo"
155 x 106 cm









" Suster"
155 x 115 cm






"Inactivo"
155 x 115 cm







"Sustado"
155 x 115 cm








"Pendente"
155 x 115 cm







"Des (ordem)"
155 x 115 cm







" Regularidade"
106 x 85 cm
























Sunday, April 15, 2007

Solo Exhibition - simBiose

Houses that were once houses and are now in ruins. Ruins with atriums filled with soil and weeds, flights of stairs that lead nowhere. Peeled walls, rendering naked the different materials of construction – stones, woods, sands, paints. The walls that still remain, exposed, with paint that still survives and that mixes with the fungus of humidity, giving place to the moss that is installing on it. The colors that change with the climate originating contrasting tones, cold and warm, creating eroded layers of ochre, green, corrosion…

The roots of the trees dominate the ground, break open the floor of mosaics that characterize the era when the house was built and flourish into mushrooms.

Houses where the original ceiling, now destroyed, is replaced by crowns of trees. Palatial houses that are today interior gardens with sprouts coming out from every orifice. Windows and doors, that lost their function, remain as decorative elements, capable of transporting us to bygone times, to other existences, that I have never known about but whose scenarios my imagination has managed to complete.




I tear up everything so that the particular stands out from homogeneity.





" Louça suja "
130 x 42 cm




" Suprimento"
130 x 42 cm




" Subjugação "
75 x 120 cm





" O que restou "
100 x 100 cm






" Ainda aqui estás? "
130 x 83 cm




" Enquanto espero "
140 x 1 60 cm





" Contínuo à espera "
90 x 70 cm





" Cinzas "
95 x 70 cm





" Uma parte "
68 x 120 cm




" Do outro lado "
180 x 95 cm





" Para onde vais? "
110 x 80 cm






" Corrupção "
43 x 110 ccm




















Friday, April 13, 2007

Big Scale Sculpture Workshop

Coordinator of big scale sculture workshop ( Remembering Niki de Saint- Phale ) - Macau Art Museum, China.















































Thursday, April 12, 2007

BLOOM- Macau/China






















































Slowly wandering the streets, I came across a seemingly abandoned house. A wooden hut with a wide open door, as an invitation.

I entered it.

The wood was rotten and cricking under my every step.

Slowly, I found myself in a room full of dusty books on a shelf. I pulled out the lighter in an attempt to identify them.

I found some knocked down candles which I lit. On the floor there was a huge atlas, some detective books and a 1rst World War book, but there was a title that caught my attention “The Egyptian pyramids lost treasure”. I lost track of time in its pages.

I heard a loud noise and looking around I saw the shadow of a hunchback old lady with a cickle in her hands. I startled and hid under the stairs, surrounded by a storm.

When I realized the reason for all this noise, I thought that I was tired and had imagined this entire story. Suddenly, between cricks and throws of stones, the hunchback lady hit my head. I fell down and when I came to, my hands were bound.

The old lady pulled me to the edge of the room, gauzed my head, preventing me from shaking or shouting.

When I was all tied up, she put me in a coffin and I started sweating. My thoughts went into a whirlpool and I started panicking. All around me there was rotten fish left to dry, a shovel, a backpack and a number of tools.
What is gone happen to me?
Be buried alive? I fainted.
When I got my senses I lay surrounded by the sound of sirens and jets of water hit the wood around me.
A fireman pick me up and carry me outside.
The house was in flames .
Once more I feel myself sad and sorrow.
I wondered how many stories will never be told and how many dreams have been reduced to ashes.

Wednesday, April 11, 2007

Solo Exhibition " Vestígios"


“Ao passar pela rua” (2005)
acrylic / canvas
mixed media
20 x 100 cm (20 x 20 cm each).


“caju , caju e caju” (2005)
acrylic / canvas
mixed media
90 x 90 cm (30 x 30 cm each)

“Tamara“(2005)
acrylic / canvas
mixed media
90 x 90 cm (45 x 30 cm each)

“Caju e banana frita” (2005)
acrylic / canvas
mixed media
30 x 120 cm (30 x 30 cm each)

Untitled (2005)
acrylic / canvas
mixed media
80 x 80 cm (40 x 40 cm each)

“Fio de cabelo” (2005)
acrylic / canvas
mixed media
20 x 80cm ( 20 x 20 cm each).

“À Janela I” (2005)
acrylic / canvas
mixed media
40 x 60 cm ( 20 x 20 cm each).

“Postal para ti“ (2005)
acrylic / canvas
mixed media
80 x 60 cm
(40 x 30 cm each)

“De passagem“(2005)
acrylic / canvas
mixed media
30 x 90 cm
(30 x 30 cm each)

Tuesday, April 10, 2007

Solo Exhibition " Hora de re.creio"




"Olha o Balão" (2005)
acrylic / canvas
mixed media
110 x 100 cm

“Pião” (2005)
acrylic / canvas
mixed media
140 x 100 cm

“Paragens II” (2005)
acrylic / canvas
mixed media
120 x 80 cm

“Paragens I” (2005)
acrylic / canvas
mixed media
80 x 120 cm

“Roda que rola” (2005)
acrylic / canvas
mixed media
100 x 100 cm

“Zzzz...bzzz” (2005)
acrylic / canvas
mixed media
30 x 60 cm (30 x 30 cm each canvas)

“Recreio” (2005)
acrylic / canvas
mixed media
100 x 100 cm

“Miaauuuu..” (2005)
acrylic / canvas
mixed media
100 x 100 cm

Untitled
acrylic / canvas
mixed media
100x 100cm


“Bola de.. sabão ” (2005)
acrylic / canvas
mixed media
150 x 100 cm

Tuesday, April 3, 2007



“Quarto“ (2005)
acrylic / canvas
mixed media
100 x 100 cm


"Lagosta fresca"
acrylic / canvas
mixed media
100 x 100 cm






"Nesta procura da compreensão..."
acrylic / canvas
mixed media
90 x 90 cm






"Quarto marroquino" (2003)
acrylic / canvas
mixed media
50 x 50 cm







“Ao passar pela rua“ (2003)
acrylic / canvas
mixed media
120 x 70 cm

Monday, April 2, 2007

MUPI


Lisbon, October 19 to November 01, 2005
MUPI no. 279 (Rua Marquês de Fronteira)


Along the road, I search for signs which indicate the way. Certain sounds which appear and disappear, zzz…zzz…, follow me on the road.

URBAN ART FOR INTERVENTION - ZART 21

“The way is forward”(2005).
Mixed technic – acrylic on paper.
120 x 180 cm.

Visiting hour




”Visiting hour” (2003)
Polyester resin with fibre glass;
models dressed with tissue skirts and shoes
Direct plaster moulds
H 50cm; 125cm; bed 180 x 100cm


Beds …?! Júlio de Matos Hospital (2003)
This exhibition, promoted by Group Zart 21, is based on the projects of 30 participants, with the purpose of animating the space, giving use to the beds of the hospital that were no longer being used. Each artist intervened with one or more beds.

Fetish





"Fetish – It only complicates if you want it to” (2003)
Polyester fibred resin
Direct plaster mould
Original size, 110 cm



Jardim da Cascata, Quinta Real de Caxias. Exhibition of senior students in Sculpture by the FBAUL.




When confronted with the need of developing a project for public art, I outlined, from the start, two different options: I could either commit myself to a non-aggressive and non-realist reproduction or, on the opposite, try to symbolically reproduce a part of the daily life that I experience as a woman.
The choice for the object-woman came almost instinctively following this reflection. I would, therefore, create a situation in which the social framing of the sculptural group could be linked to a manners’ criticism.


The first vision that occurred to me was shaped in the perspective of an open, social and eminently public space: a bus stop, considered as a cross--road of social behaviours, seemed very interesting for the portraying of my goals. That stop, an individual place as a starting point for different destinations and personal situations and also a collective place by nature,
could still be dismembered into a place for observing and a place for being observed. I aimed to create a sequel in which the double role of observed and observer would juxtapose not always in harmony, given the fact that it would be illusory to think that, when exposed to others, our role is neutral and that only others have an active behaviour.

Desire and the sometimes delicate ways through which it reveals itself made me reproduce it as a panel of portraits I daily observe.
In our day-to-day life we see them represented in other person’s minds, just as I express what I feel in those minds.
Fibre resin is the plastic material I chose for direct moulding the legs. it gives the most realist and kitsch finishing.

Penetrations


“Penetrations” (2002)
Plastic Arts exhibition promoted by ZART 21

Shoe installation in the attic with Tânia Inácio Marques
40 red velvet pillows. 20 x 20 cm
40 single feet shoes



This installation, composed of 40 shoes over red velvet pillows is an antithesis to the essence of the exhibition. They occupy the entire space we were given making it impossible to penetrate it. It also seems like they are leaving because they are all pointed towards the door. The shoes have lost their pair and no longer have a function, they penetrated and occupied the place becoming the support of a new life form, the flower.



Is another project promoted by ZART 21. It consisted on the occupation of a house in ruins, providing a non-space and all the necessary technical and logistical support to the work and the artists.This non-space, in a building by the São Jorge Castle in Lisbon, was penetrated by ZART 21 and another 40 artists, whose projects were previously selected by the group.
The various rooms were penetrated e transformed according to the demands of the works, being that anyone could puncture walls, use the building’s façade or anything considered necessary to support the concept of penetrations.
Besides the main idea that we all were intruders in that space, the name also suggest an idea of confrontation and breaking of rules.The project Penetrations pretended to create a total space and an open exhibiting place for all kinds of artistic expression.











Untitled (2003)
Iron and wood
Soldered iron construction
140 x 70 cm / 100 x 100 cm

›› 7th edition of the Painting and Sculpture Prize D. Fernando II.

DNA and the secrets of life





”DNA and the secrets of life” (2003)
100 x 100 x 130 cm
Painted iron
Construction

One of the greatest discoveries of the 20th century – the discovery of DNA’s molecule – played, in the last 50 years, an extremely important role in our society.
Heredity and related issues are responsible for the most fantastic research advances as well as the biggest controversies: from genetically modified organisms to cloning. DNA is the structure for all life forms, it contains every property, tendency, rule
and motivation.
This work shows the molecule’s apparent simplicity and its connections – the most photogenic molecule, the most popular, the one with the most public notoriety. Show me your DNA, I’ll tell you who you are and what you’ll be, where you came from
and where you are going.

Regarding the 50th anniversary of the discovery of Twin Screw and its commemorative programme, Faculdade de Faculdade de Ciências da Universidade de Lisboa (FCUL), Instituto Gulbenkian da Ciência (IGC) and Fundação Calouste Gulbenkian (FCG), in a joint initiative with the support of Fundação para a Ciência e Tecnologia (FCT), decided to do an exhibition, with young plastic
artists - senior students and recently-graduated artists, in Painting or Sculpture, by the Faculdade de Belas-Artes da Universidade de Lisboa (FBAUL).
This exhibition was the result of an invitation done to seven artists who accepted the challenge of plastically translating a world in the forms that are in its origin.






“Interrogation I” & “Interrogation II” (2004)
130 x 85 x 35 mm
casting
resin/I tin




›› Art Medal World congress, FIDEM XXIX 2004,
Seixal, Portugal.




"Restícios ” (2004)
130 x 90 x 35 mm
cast
resin / tin





›› Art Medal World congress, FIDEM XXIX 2004,
Seixal, Portugal.






"Urban materialism" (2001)
70 x 40 mm
construction
plastic/plaster/metal



» New ideas in Medallic Sculpture” (FBAUL
and FASF students) New York, Philadelphia,
Turku, Lisbon ,2003.






(2001)
50 mm



›› II International Biennial of Contemporary Medal, Seixal, Mundet Factory, 2001.











"Regressos ad Uterum” (2001)
100mm
construction 
plastic/sand





›› 1st Edition of contemporary Medal Dorita de Castel-Branco,
Sintra 2002.






“Interjeição natural e urbana” (1999)
 60 x 60 mm
 construction.
 cement/resin






›› I International Biennial of Contemporary Medal, Seixal, Mundet Factory, 1999.
›› Contemporary Medal FBAUL (Faculdade de Belas Artes da Universidade de Lisboa), 1999.
›› Municipal Gallery Gymnasio Volte Face Project, Lisbon 2001.
›› 1st Edition of contemporary Medal Dorita de Castel-Branco, Sintra 2002.










“orbit” (2003)
90 X 60 mm
constructed/to casting
Marble/metal/wood





(2003)
60 x 40 mm
constructed
slate brass/inox



›› Contemporary Medal - Dorita Castel-Branco Sintra, 2003.



















(2003)
60 x 40 mm
constructed
slate brass/inox



›› Contemporary Medal - Dorita Castel-Branco Sintra, 2003.






























“Bullets or… flower” (2003)
60mm
casting.
lead/ tin














“Secret I” (2003)
50mm
construction
brass/resin



“and all was led by the wind" (1999)
80mm
construction
aluminum/ acrylic










> II Meeting of Medal Contemporary, Municipal Gallery Arthur Bual, Amadora, 1999.
> Municipal Gallery Gymnásio, Project Volte Face, Lisbon, 2001.




" Time allusion" (2001)
130mm
construction
aluminum/acrylic






»II International Biennial of Contemporary Medal, Mundet Factory, Seixal, 2001.
»XXVIII F.I.D.E.M Congress, Paris, France, 2002.
» “New ideas in Medallic Sculpture” (FBAUL and FASF students) New York, Philadelphia, Turku, Lisbon ,2003.



“Centrifugation” (1999)
70 mm
Construction; steel thread and lead









»II Contemporary Medal Meeting, Artur Bual Council Gallery, Amadora (1999)
»XXVII F.I.D.E.M Congress, Weimar, Germany (2000)
» “New ideas in Medallic Sculpture” Medialia...Rack & Hamper Gallery (FBAUL and FASF
students) New York, Philadelphia, Naumburg, Lisbon (2002)




“Message II” (2003)
95 x 75 mm
Construction
slate / brass




»II International Biennial of Contemporary Medal, Mundet Factory, Seixal,2003.

Sunday, April 1, 2007







“Mechanical Time” (1999)
65 x 40 mm
constructed/casting
tin / watch






»I International Biennial of Contemporary Medal, Mundet Factory, Seixal ,1999.
» Gymnasio council gallery, Volte Face Project, Lisbon, 2001.
»Council Art Gallery, Salúquia às artes - A Arte nas Terras Raianas Awards, Moura, 2003.

From my senior year’s investigation project, Animal Skeleton – osseous structure, resulted these four iron sculptures.
I focused on the osseous structure of dinosaurs, more precisely the vertebral column, due to its dynamic form, its rhythmic density and its expressive recurrence, originating regular and irregular forms that create a regularity of movement in space. I started from regular geometric forms, primary anti-dynamic forms, like the square, that imply an idea of stagnation and solidification.

The rest of ...



" The rest of..." (2002)
Black-painted iron construction
130 x 130 x 100 cm

III International Biennal of Arte Jovem de Vila Verde. June – July 2003. professor Machado Vilela Library, Vila Verde - Portugal.